Adobe® 98 RGB compatible to YCbCr(YCC) Converter - Color Space Converter

Also known as the Adobe® 98 RGB compatible color space.There are 3 channels in total, Red,range from 0 to 1.Green,range from 0 to 1.Blue,range from 0 to 1.

Adobe RGB (1998) was developed by Adobe Systems in 1998, designed to encompass most of the colors achievable on CMYK color printers, but using RGB primary colors on devices like computer displays.

Adobe RGB (1998), often abbreviated as Adobe RGB or A98RGB.

In the Adobe RGB color space, colors are represented through three channels: Red (R), Green (G), and Blue (B), offering a wider color gamut than the standard sRGB color space.

The Adobe RGB color space is widely used in high-end photography and printing industries due to its broad range of colors.

Due to its wide gamut, Adobe RGB is particularly suitable for applications requiring high color quality and depth, such as professional photography and high-quality printing.

Also known as the YCbCr(YCC) color space.There are 3 channels in total,Y,range from 16 to 235.Cb,range from 16 to 240.Cr,range from 16 to 240.

The YCbCr color space was specifically designed for digital television and video compression standards like MPEG and JPEG, aiming to minimize data size while maintaining high-quality imagery during the compression process.

The primary name is YCbCr. It is often confused with YUV, although they are technically different.

The YCbCr color space is typically used in a digital format, expressed as a combination of three component values, like (Y, Cb, Cr). For 8-bit video signals, these components typically range from 16 to 235 for Y, and 16 to 240 for Cb and Cr.

YCbCr is predominantly used in digital video capture, processing, storage, and transmission. It forms the core color space for television broadcasting, DVD videos, and image compression standards such as JPEG.

In the YCbCr color space, Y represents the luminance component, while Cb and Cr represent the chrominance components of blue and red, separated from the Y component, allowing chroma subsampling to reduce data amount. As the human eye is more sensitive to luminance than to chrominance, this separation usually doesn't affect the viewing experience.