CMY to ACEScc Converter - Color Space Converter
CMY color space introduction
Also known as the CMY color space.There are 3 channels in total, cyan,commonly referred to as c,range from 0 to 100.magenta,commonly referred to as m,range from 0 to 100.yellow,commonly referred to as y,range from 0 to 100.
Source: CMY is based on the subtractive properties of color related to printing. It takes into account the ink or dye absorbing certain wavelengths of light from white light, thereby displaying color.
Primary name: CMY, which includes the Cyan, Magenta, and Yellow color channels.
Usage: Although CMY is not as commonly used in professional printing as CMYK, it is useful in understanding the basics of color mixing and printing. CMY color mode can also be found in certain digital art and design software.
Additionally, it's important to note that, in contrast to the RGB color space, CMY and RGB are complementary. Theoretically, Cyan (C) is the complement of Red (R), Magenta (M) is the complement of Green (G), and Yellow (Y) is the complement of Blue (B). Thus, CMY and RGB can be converted through corresponding relationships.
ACEScc color space introduction
Also known as the ACEScc color space.There are 3 channels in total,Red,range from -0.35828683 to 1.4679963120447153.Green,range from -0.35828683 to 1.4679963120447153.Blue,range from -0.35828683 to 1.4679963120447153.
ACEScc is part of the ACES (Academy Color Encoding System) workflow, developed by the Academy of Motion Picture Arts and Sciences to provide a standardized color management framework for the motion picture production, post-production, and archival industries. It is specifically designed for color grading and correction processes.
ACEScc, stands for Academy Color Encoding System - Color Correction.
In the ACEScc color space, colors are represented through Red (R), Green (G), and Blue (B) channels, specifically designed for high dynamic range and wide color gamut imagery.
ACEScc is primarily used in color grading and correction for film and video, especially in professional post-production environments.
ACEScc provides film and video professionals with a unified and consistent approach to handling color, particularly when transferring and matching colors across different cameras, formats, and display devices.
You might also want to convert CMY color space to these formats:
CMY to HEX converterCMY to RGB(sRGB) converterCMY to CMYK converterCMY to XYZ(ciexyz,cie1931,XYZ D65) converterCMY to HSL converterCMY to HSV(HSB) converterCMY to HSI converterCMY to HWB converterCMY to xyY(Yxy,yxy) converterCMY to YIQ converterCMY to YUV(EBU) converterCMY to YDbDr converterCMY to YCgCo converterCMY to YPbPr(Y/PB/PR,YPRPB,PRPBY,PBPRY,Y/Pb/Pr,YPrPb,PrPbY,PbPrY,Y/R-Y/B-Y,Y(R-Y)(B-Y),R-Y,B-Y) converterCMY to YCbCr(YCC) converterCMY to xvYCC converterCMY to YcCbcCrc converterCMY to UCS(cie1960) converterCMY to UVW(cieuvw,cie1964) converterCMY to JPEG converterCMY to LAB(cielab) converterCMY to LABh(hunter-lab,hlab) converterCMY to lms converterCMY to LCHab(cielch,LCH,HLC,LSH) converterCMY to LUV(cieluv,cie1976) converterCMY to LCHuv(cielchuv) converterCMY to HSLuv(HuSL) converterCMY to HPLuv(HuSLp) converterCMY to Coloroid(ATV) converterCMY to HCG(HSG) converterCMY to HCY converterCMY to TSL converterCMY to yes converterCMY to OSA-UCS converterCMY to HSP converterCMY to Adobe® 98 RGB compatible converterCMY to Linear Adobe® 98 RGB compatible converterCMY to ACEScg converterCMY to ICTCP converterCMY to JzCzHz converterCMY to Jzazbz converterCMY to LCH converterCMY to Lab D65 converterCMY to Oklch converterCMY to Oklab converterCMY to P3 converterCMY to Linear P3 converterCMY to ProPhoto RGB converterCMY to Linear ProPhoto RGB converterCMY to REC.2020 converterCMY to Linear REC.2020 converterCMY to REC.2100-HLG converterCMY to REC.2100-PQ converterCMY to Absolute XYZ D65 converterCMY to XYZ D50 converterCMY to Linear sRGB converterCMY to DLCH(DIN99 LCH) converterCMY to DIN99 Lab(DLAB) converterCMY to OKHSL converterCMY to OKHSV converterCMY to XYB converterCMY to CubeHelix converter