DIN99 Lab(DLAB) to YCbCr(YCC) Converter - Color Space Converter

Also known as the DIN99 Lab(DLAB) color space.There are 3 channels in total, L,range from 0 to 100.a,range from -40.09 to 45.501.b,range from -40.469 to 44.344.

DIN99 Lab, often referred to as DLab, is a color space derived from the CIE L*a*b* color space. It was developed based on the DIN99 colorimetric system, which is an adaptation of the L*a*b* model to improve perceptual uniformity.

DIN99 Lab color space.

In the DIN99 Lab color space, colors are represented by Lightness (L*99), green-red chromatic component (a*99), and blue-yellow chromatic component (b*99).

DLab is primarily used in fields where more precise perceptual uniformity is required, such as color science and quality control.

The DLab color space is particularly useful in color evaluation and matching due to its perceptual uniformity in representing colors.

Also known as the YCbCr(YCC) color space.There are 3 channels in total,Y,range from 16 to 235.Cb,range from 16 to 240.Cr,range from 16 to 240.

The YCbCr color space was specifically designed for digital television and video compression standards like MPEG and JPEG, aiming to minimize data size while maintaining high-quality imagery during the compression process.

The primary name is YCbCr. It is often confused with YUV, although they are technically different.

The YCbCr color space is typically used in a digital format, expressed as a combination of three component values, like (Y, Cb, Cr). For 8-bit video signals, these components typically range from 16 to 235 for Y, and 16 to 240 for Cb and Cr.

YCbCr is predominantly used in digital video capture, processing, storage, and transmission. It forms the core color space for television broadcasting, DVD videos, and image compression standards such as JPEG.

In the YCbCr color space, Y represents the luminance component, while Cb and Cr represent the chrominance components of blue and red, separated from the Y component, allowing chroma subsampling to reduce data amount. As the human eye is more sensitive to luminance than to chrominance, this separation usually doesn't affect the viewing experience.