LAB(cielab) to CubeHelix Converter - Color Space Converter

Also known as the LAB(cielab) color space.There are 3 channels in total, lightness,range from 0 to 100.a,range from -100 to 100.b,range from -100 to 100.

Defined by the International Commission on Illumination (CIE) in 1976, as an improvement and extension of the CIE XYZ color space, designed to be a closer approximation to human visual non-linearity.

Commonly known as CIELAB color space, abbreviated as L*a*b* or Lab.

Lab colors are typically represented by three coordinates: L* for lightness, a* for green to red chromaticity, and b* for blue to yellow chromaticity. They can be algorithmically converted to other color spaces for display or printing on different devices.

The Lab color space is extensively used in color measurement and management, particularly important in fields requiring precise color matching and assessment such as digital printing, photography, image analysis, and industrial color testing.

The advantage of the Lab color space lies in its device independence, allowing for consistent and accurate color conversion across different devices and software.

Also known as the CubeHelix color space.There are 3 channels in total,Hue,commonly referred to as h,range from 0 to 360.Saturation,commonly referred to as s,range from 0 to 4.614.Lightness,commonly referred to as l,range from 0 to 1.

The CubeHelix color space was designed by Dave Green to create gradients that are visually uniform in both color and greyscale.

Known as the CubeHelix color space.

A color gradient is created by defining a starting hue and number of rotations while controlling changes in brightness and saturation to ensure visual consistency when converted to greyscale.

CubeHelix is particularly suited for scientific visualization, especially when images need to be converted to greyscale for printing or viewing by individuals with color vision deficiencies.

The advantage of CubeHelix lies in its ability to produce gradients that are continuous and uniform in both color and brightness, avoiding the jumps in brightness or color distortions often encountered in other color spaces.