UCS(cie1960) to ACEScc Converter - Color Space Converter

Also known as the UCS(cie1960) color space.There are 3 channels in total, U,range from 0 to 100.V,range from 0 to 100.W,range from 0 to 100.

Developed by the International Commission on Illumination (CIE) in 1960, it was intended to provide a uniform color scale that would more closely align with human vision.

The primary name is CIE 1960 UCS (Uniform Color Scale). It is also referred to as the CIE 1960 (u, v) chromaticity space.

Colors in the CIE 1960 UCS are expressed in terms of chromaticity coordinates 'u' and 'v' derived from the CIE XYZ color space, with the addition of a 'W' coordinate representing the luminance factor.

The CIE 1960 UCS is used for applications where a more perceptually linear color space is useful. It's often used in color research and for specifying the colors of light sources and illuminants.

The CIE 1960 UCS is an intermediate step towards the development of subsequent color spaces that are more perceptually uniform, such as CIELUV and CIELAB.

Also known as the ACEScc color space.There are 3 channels in total,Red,range from -0.35828683 to 1.4679963120447153.Green,range from -0.35828683 to 1.4679963120447153.Blue,range from -0.35828683 to 1.4679963120447153.

ACEScc is part of the ACES (Academy Color Encoding System) workflow, developed by the Academy of Motion Picture Arts and Sciences to provide a standardized color management framework for the motion picture production, post-production, and archival industries. It is specifically designed for color grading and correction processes.

ACEScc, stands for Academy Color Encoding System - Color Correction.

In the ACEScc color space, colors are represented through Red (R), Green (G), and Blue (B) channels, specifically designed for high dynamic range and wide color gamut imagery.

ACEScc is primarily used in color grading and correction for film and video, especially in professional post-production environments.

ACEScc provides film and video professionals with a unified and consistent approach to handling color, particularly when transferring and matching colors across different cameras, formats, and display devices.