LCHuv(cielchuv) to YCbCr(YCC) Converter - Color Space Converter

Also known as the LCHuv(cielchuv) color space.There are 3 channels in total, lightness,range from 0 to 100.chroma,range from 0 to 100.hue,range from 0 to 360.

Based on the CIELUV color space, proposed by the International Commission on Illumination (CIE) in 1976, it uses a cylindrical coordinate system instead of a rectangular one.

Commonly known as CIELCH_uv or LCH(uv), abbreviated as LCHuv.

The LCHuv color space expresses colors using lightness (L*), chroma (C*), and hue angle (h°), providing an intuitive way to describe colors.

The LCHuv color space is used in graphic and product design, especially suitable for color comparison and selection, and scenarios that require intuitive manipulation of colors.

The LCHuv color space is user-friendly for color selection based on hue and saturation, suitable for applications where the impact of lighting changes on color appearance needs to be considered.

Also known as the YCbCr(YCC) color space.There are 3 channels in total,Y,range from 16 to 235.Cb,range from 16 to 240.Cr,range from 16 to 240.

The YCbCr color space was specifically designed for digital television and video compression standards like MPEG and JPEG, aiming to minimize data size while maintaining high-quality imagery during the compression process.

The primary name is YCbCr. It is often confused with YUV, although they are technically different.

The YCbCr color space is typically used in a digital format, expressed as a combination of three component values, like (Y, Cb, Cr). For 8-bit video signals, these components typically range from 16 to 235 for Y, and 16 to 240 for Cb and Cr.

YCbCr is predominantly used in digital video capture, processing, storage, and transmission. It forms the core color space for television broadcasting, DVD videos, and image compression standards such as JPEG.

In the YCbCr color space, Y represents the luminance component, while Cb and Cr represent the chrominance components of blue and red, separated from the Y component, allowing chroma subsampling to reduce data amount. As the human eye is more sensitive to luminance than to chrominance, this separation usually doesn't affect the viewing experience.