LUV(cieluv,cie1976) to ACEScc Converter - Color Space Converter

Also known as the LUV(cieluv,cie1976) color space.There are 3 channels in total, lightness,range from 0 to 100.u,range from -134 to 224.v,range from -140 to 122.

Developed by the International Commission on Illumination (CIE) in 1976 as a uniform color space that would more accurately reflect human visual perception.

Commonly known as CIELUV, the space is also referred to as L*u*v* or LUV.

Color in the CIELUV space is expressed with three coordinates: L* for lightness, u* for the green-red chromaticity component, and v* for the blue-yellow chromaticity component.

CIELUV is used in various industries where accurate color reproduction is needed, such as color printing, in the manufacturing of textiles and plastics, and in color television broadcasting.

The CIELUV color space is especially useful for applications that require taking into account the conditions under which colors are viewed, including the effects of different types of lighting on color appearance.

Also known as the ACEScc color space.There are 3 channels in total,Red,range from -0.35828683 to 1.4679963120447153.Green,range from -0.35828683 to 1.4679963120447153.Blue,range from -0.35828683 to 1.4679963120447153.

ACEScc is part of the ACES (Academy Color Encoding System) workflow, developed by the Academy of Motion Picture Arts and Sciences to provide a standardized color management framework for the motion picture production, post-production, and archival industries. It is specifically designed for color grading and correction processes.

ACEScc, stands for Academy Color Encoding System - Color Correction.

In the ACEScc color space, colors are represented through Red (R), Green (G), and Blue (B) channels, specifically designed for high dynamic range and wide color gamut imagery.

ACEScc is primarily used in color grading and correction for film and video, especially in professional post-production environments.

ACEScc provides film and video professionals with a unified and consistent approach to handling color, particularly when transferring and matching colors across different cameras, formats, and display devices.